Search results “Cryptogramme carte bancaire fortis watches”
Demandez une carte de crédit avec Easy Banking App
Avec Easy Banking App commander une carte de crédit ne prend que 6 minutes. Celle-ci vous permettra de payer en toute sécurité partout dans le monde auprès de millions de commerçants. Découvrez dans cette vidéo comment commander votre carte Visa ou MasterCard. Plus d'infos ? Surfez sur https://www.bnpparibasfortis.be
Une nouvelle fraude à la carte bancaire très sophistiquée
La police a démantelé un groupe spécialisé dans une nouvelle forme d'escroquerie à la carte bancaire. Le procédé mis au point par les malfaiteurs consistait à "contourner" la puce à l'aide d'une seconde puce "leurre". Cette dernière servait à tromper les terminaux des commerçants en interceptant la communication et en renvoyant un message de validation systématique du code pin, quel que soit celui-ci. Cette fraude, qui n'a lésé aucun particulier, ne fonctionnait que pour les transactions d'un montant inférieur à 100 euros.
Views: 156108 BFMTV
Tout ce que tu peux faire avec une carte de banque: sauver son premier baiser
Découvrez de quelle manière les ados peuvent être créatifs avec une carte de banque et gagnez 1 an d’argent de poche pour votre enfant. http://bnppf.be/28VhqJo
Comprendre facilement la Carte Bancaire Prépayée
http://www.cartebancairerechargeable.org : La carte bancaire prépayée expliquée dans les moindres détails ! A quoi cela ressemble, ou l'acheter , comment la recharger... Apres avoir vu cette video vous saurez tout sur la carte bancaire prépayée... Si vous souhaitez avoir plus d'information, comparer les cartes, rendez vous sur http://www.cartebancairerechargeable.org ou tout est expliqué sur les cartes medius, carte corpedia et autres cartes.
Views: 53332 cartebancaireprepaye
Numero de carte bancaire
J'avais oublier de mettre l lien de ma precedente video voila le lien Lien : http://www49.zippyshare.com/v/68837121/file.html Et ces toujours pareil pour la carte bancaire a 500 abonée je la donne
Views: 134014 AmarTheKiller
La Clé Digitale - BNP
Motion design - BNP - Clé Digitale
Views: 1638 Agence White Dog
Bankkaart phishing - Phishing à la carte bancaire
Bankkaart phishing: laat je niet vangen! Fraudeurs worden steeds inventiever in hun technieken om geld te ontfutselen. Dit doen ze sinds kort via een nieuwe fraudetechniek: bankkaart phishing. Febelfin wenst dan ook te benadrukken: stuur nooit je bankkaart op en deel nooit je codes mee. Phishing à la carte bancaire : ne vous laissez pas avoir ! Pour vous dévaliser, les fraudeurs font sans cesse preuve de davantage d’imagination. Et pour ce faire, ils utilisent depuis peu une nouvelle technique de fraude : le phishing à la carte bancaire. C’est pourquoi Febelfin souhaite insister sur ce conseil : n’envoyez jamais votre carte bancaire et ne communiquez jamais vos codes.
Views: 3890 Febelfin Belgium
Grief Drives a Black Sedan / People Are No Good / Time Found Again / Young Man Axelbrod
In the beginning of the Golden Age, American radio network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium. As a result, prime-time shows would be performed twice, once for each coast. However, "reference recordings" were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of prerecorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 33⅓ rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the center of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations.[7][8] When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were molded in a record press. http://en.wikipedia.org/wiki/Old_time_radio
Views: 88564 Remember This
Calling All Cars: Banker Bandit / The Honor Complex / Desertion Leads to Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 58000 Remember This
Ambassadors, Attorneys, Accountants, Democratic and Republican Party Officials (1950s Interviews)
Interviewees: Sir Percy C. Spender, ambassador from Australia to the United States Stephen A. Mitchell, American attorney and Democratic Party official. He served as chairman of the Democratic National Committee from 1952 to 1956, and was an unsuccessful candidate for the Democratic nomination for Governor of Illinois in 1958. W. Sterling Cole, Republican member of the United States House of Representatives from New York. T. Coleman Andrews, accountant and an independent candidate for President of the United States. T. Lamar Caudle, Justice Department official Tadeusz Bór-Komorowski, Polish military leader. Komorowski was born in Lwów (now L'viv in Ukraine), in the Austrian partition of Poland. In the First World War he served as an officer in the Austro-Hungarian Army, and after the war became an officer in the Polish Army, rising to command the Grudziądz Cavalry School. Thomas Coleman Andrews (February 19, 1899 -- October 15, 1983) was an accountant and an independent candidate for President of the United States. Andrews was born in Richmond, Virginia. After high school, he worked at a meat packing company in Richmond. He then worked with a public accounting firm and he was certified as a CPA in 1921. Andrews formed his own public accounting firm in 1922. He went on leave from his firm in 1931 to become the Auditor of Public Accounts for the Commonwealth of Virginia, a position he held until 1933. He also took leave in 1938 to serve as controller and director of finance in Richmond. Andrews served in the office of the Under-Secretary of War as a fiscal director. He joined the United States Marine Corps in 1943, working as an accountant in North Africa and in the Fourth Marine Aircraft Wing. Andrews retired from his firms in 1953 to become the Commissioner of Internal Revenue. He left the position in 1955 stating his opposition to the income tax. Andrews ran for President as the States' Rights Party candidate in 1956; his running mate was former Congressman Thomas H. Werdel. Andrews won 107,929 votes (0.17% of the vote) running strongest in the state of Virginia (6.16% of the vote), winning Fayette County, Tennessee and Prince Edward County, Virginia. http://en.wikipedia.org/wiki/Coleman_Andrews
Views: 39646 The Film Archives